In Cherie Dimaline’s novel “Empire of Wild,” a trio of women from different generations strives to rescue their loved one from the clutches of the werewolf-like Rogarou. Their mission is to find a missing husband and safeguard their territory from corporate interests.
The narrative, described as raw, alluring, and intense, earned the distinction of being named Indigo’s top book of 2019, surpassing renowned titles such as Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
A substantial investment of about $4 million has been allocated to an Indigenous-led creative team to adapt the book into an opera, with plans for the world premiere set in Toronto next spring. This bold move aims to attract a younger audience and newcomers to opera while challenging traditionalists who prefer the classical repertoire.
Set in the Penetanguishene Métis community in Georgian Bay, Ontario, where author Cherie Dimaline grew up, “Empire of Wild” resonates with composer Ian Cusson, who recognized elements of the Rogarou from tales shared by his mother. The opera presents contemporary characters that modern audiences can relate to, including queer individuals and a blue-collar family navigating extraordinary circumstances.
Elisabeth St-Gelais, a 30-year-old Innu soprano, embodies the lead character Joan in the opera. Reflecting on the story’s themes, she appreciates its portrayal of human flaws and crisis coping mechanisms, elements that she believes resonate with a diverse audience.
At its core, “Empire of Wild” delves into themes of power, resistance, and resilience. The narrative follows Joan’s quest to reunite with her husband amidst mysterious forces, highlighting the importance of intergenerational support along strong matrilineal lines.
Drawing inspiration from Métis folklore, the opera features a diverse cast, including talents like Marion Newman and Evan Korbut, embodying characters that convey a universal truth of survival and resilience among Indigenous peoples.
This innovative opera project, spearheaded by Indigenous creators, symbolizes a flourishing era of Indigenous representation across various sectors. The collaborative approach to art creation, as championed by the creative team, emphasizes inclusivity and values every contributor’s input, fostering a unique and inclusive artistic circle.
Composer Ian Cusson envisions this inclusive creative process as a model for future opera productions, advocating for its adoption across the industry to enhance artistic expression and community involvement.
